Yacov Sharir

Dancer, choreographer, designer, teacher

Yacov Sharir (1940-2023)

Born in Casablanca, he immigrated to Israel with his family as a child. He graduated from the Bezalel Academy of Arts and Design’s Department of Ceramic Design and Glass Sculpture. He then continued his studies at the Jerusalem Music and Dance Academy under Hasia Levi Agron, as well as with Gertrud Kraus. During the 1960s, he was active both as a ceramics artist and as a dancer in Inbal Dance-Theater. In 1967, he joined Batsheva where he danced until 1975. His dances with the company included Adam & Eve (1965); By Order of Creon (1966); The Act, Reflections, Shore Bourne (1967); Rehearsal!… (?), The Road of the Phoebe Snow, Come and Get the Beauty of It while It’s Hot, The Brood (1968); Baroque Concerto No. 5, Moves (1969); Ein Dor, Percussion Concerto (1970); Martha’s Vineyard,  Ami-Yam Ami-Ya’ar (Song of My People – Forest People), Pace & Step Together, Ebony Concerto (1971). In addition, he designed outfits and sets for Batsheva for the dance pieces Voices from a Far Place, Martha’s Vineyard, and Ami-Yam Ami-Ya’ar (Song of My People – Forest People), all in 1971.

In 1975, Sharir left Batsheva to join Moshe Efrati’s Kol Demama (“sound of silence”). In 1975, after the company’s tour in the US, he was invited to teach in Austin, Texas, where he formed a company. He continued to choreograph and teach at the University of Texas at Austin’s Department of Theater and Dance. During those years, he was invited to choreograph for the Kibbutz Contemporary Dance Company, the Israeli Ballet Company and Batsheva, for which he created Great Variation (1977) and Giant Steps (1981), works in which he also designed the sets and outfits.

Since 1980, Sharir has been working on integrating computer technologies in dance. Widely considered a trailblazer in this area, he is invited to teach and create worldwide. He also won many awards, including the 1995-96 National Foundation for Advancement in the Arts Award, the 1997 Virtual Reality & Cyberspace in the Arts Award, and the 1998 Career Research Excellence Award in the Robert W. Hamilton Faculty Authors Award competition at The University of Texas at Austin.


Repertoire

  • Giant Steps

    Giant Steps
    Yacov Sharir
    1981

  • The Great Variation (based on Homage to Jerome Robbins)

    The Great Variation (based on Homage to Jerome Robbins)
    Yacov Sharir
    1977

  • Ebony Concerto

    Ebony Concerto
    John Cranko
    1971

  • Song of My People   Ami-Yam Ami-Ya’ar (Song of My People-Forest People-Sea)

    Song of My People Ami-Yam Ami-Ya’ar (Song of My People-Forest People-Sea)
    John Cranko
    1971

  • Martha’s Vineyard

    Martha’s Vineyard
    Brian McDonald
    1971

  • Voices from a Far Place

    Voices from a Far Place
    Brian McDonald
    1971

  • Pace & Step Together

    Pace & Step Together
    Moshe Efrati
    1971

  • Percussion Concerto

    Percussion Concerto
    Norman Morrice
    1970

  • Load More
  • Ein Dor

    Ein Dor
    Moshe Efrati
    1970

  • Baroque Concerto No.5

    Baroque Concerto No.5
    Norman Walker
    1969

  • Moves

    Moves
    Jerome Robbins
    1969

  • The Brood

    The Brood
    Richard Kuch
    1968

  • Rehearsal!…(?)

    Rehearsal!…(?)
    Norman Morrice
    1968

  • The Road of the Phoebe Snow

    The Road of the Phoebe Snow
    Talley Beatty
    1968

  • Come and Get the Beauty of It while It’s Hot

    Come and Get the Beauty of It while It’s Hot
    Talley Beatty
    1968

  • Reflections

    Reflections
    Rena Gluck
    1967

  • Shore Bourne

    Shore Bourne
    Pearl Lang
    1967

  • The Act

    The Act
    Linda Hodes
    1967

  • By Order of Creon

    By Order of Creon
    Ehud Ben David
    1966

  • Adam & Eve

    Adam & Eve
    Oshra Elkayam Ronen
    1965


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